Yeah, sadly Phantom the movie seemed like a giant music video. I can't help but keep comparing how come Chicago worked as a musical movie but Phantom couldn't and I realized something: all of Chicago's songs are *image songs*.
They're sang by their respective singers: 'All that Jazz' is by Velma, 'Funny Honey' is by Roxie, 'All I care About' is by Billy Flynn etc. Compared to Phantom which actually made use of music as the narrative made things *very hard* to adapt to screen because that means: more singing and less dialogue. It came to a point where there was 3/4s singing and speak singing which just sounded corny.
Yes and another thing: the singers weren't professionals. They just looked good on screen but they were adequet in their singing parts. If I hear a Christine on stage, I expect her to be a Christine on screen. She must hit the high notes, she must sound great, not just adequet.
And the wham bang uber mascarade scene? Ok, that was fine in a sense it was in full force, but the rest of the show just had too much singing and became so boring half way.
Very regretful of a film for something so anticipated.
Grimsg