WPM had an interview with a current storyboard artist/former director of the Pokemon anime, Mr Hidaka. It is REALLY interesting.
https://www.pokebeach.com/news/0708...with-masamitsu-hidaka-many-interesting-points
The 1st interview isn't as interesting https://www.pokebeach.com/news/0708/interview-with-masamitsu-hidaka-at-anime-expo
This is the stuff he talks about in the 2nd interview
Oh yeah, it's qorth noting that not everything about the future is possibly correct because he no longer directs it
Now, the parts I find particuarly funny
LOL will that ever be forgotten now?
I've never even heard that o.O I would've thought people would think it's more racist to replace a black character with a white one (not that it is, but yeah)
It's...a children's cartoon. lol. But I suppose this means Dawn's going after DP
A not-so-funny responce
I would really like to type out CHEAPSKATES in caps lock, but I won't, just in case someone says something mean to me or wants an argument ha. But, I suppose it's because it's a childrens anime. But what I don't get is, say they use RBY Wild Pokemon Battle in one episode, why would they not in the next episode? If they have bought it? Why would they replace it? Or do they buy tracks that was used in each episode, so they bought RBY Wild Pokemon Battle for one episode, but not the other?
Anyway, it's an interesting interview
https://www.pokebeach.com/news/0708...with-masamitsu-hidaka-many-interesting-points
The 1st interview isn't as interesting https://www.pokebeach.com/news/0708/interview-with-masamitsu-hidaka-at-anime-expo
This is the stuff he talks about in the 2nd interview
- GS ball
- How the US gets the dub from Japan
- Why Brock left during Orange Islands
- About switching the main cast
- How far in advance they're made
- How they decide who gets what
- Kadabra card incident (huh..?)
- 4Kids changing the genders of characters in the chronicles
- Why the dub changes the music (cheapskatesblahh)
- 12th movie
- Will Ash become a Pokemon master? What will happen then?
- "Pokemon will continue for many generations to come" :)
Oh yeah, it's qorth noting that not everything about the future is possibly correct because he no longer directs it
Now, the parts I find particuarly funny
He explained that the writers were originally going to have a whole story about Celebi in the show with Ash and crew, and he made it sound as if the story was more important than the Ball's function of getting Ash to move around (in fact, he only briefly mentioned the latter part; he was emphasizing the existence of the story more than anything). But, they decided to save Celebi for the movie instead, which is why that plot hole was just left there. He said the writers didn't know what to do with the Ball after they made their decision, so they were hoping fans would just forget about it all together when Ash and crew left it with Kurt.
LOL will that ever be forgotten now?
the Japanese crew felt that Brock might be viewed as racist by the American people because of his eyes...So, they brought in a tall, white, Anglo-looking character to replace him, just to be on the safe side
I've never even heard that o.O I would've thought people would think it's more racist to replace a black character with a white one (not that it is, but yeah)
[He said] they like to switch up the girls because it gives the boys some new eye candy every once in a while. He also said girls are more customizable and you can change their outfits, like when they are in their bathing suits (yes, he specifically said that).
It's...a children's cartoon. lol. But I suppose this means Dawn's going after DP
A not-so-funny responce
The following was a burning question I have had forever, ever since I talked to PUSA at Worlds 2007. Why do the Americans dubbing companies change the background music? Is it because they just feel like it? Is it because they don't have the rights to use it? Turns out the latter question is partially right. He talked the longest about the music with me, saying that the Americans do not have the rights to all of the Japanese music (especially the lyrical music) and do not have the rights to use it as much as the Japanese use it in the show. I did not think this was because of the Pokemon Company limiting it, so I asked "Who makes it that way?" He cited a company called "JASRAC," and says they are a group who limits all music in Japan from being distributed outside of the country, anime or not. The Americans simply do not have the rights to use all of the music or in the same quantity as the Japanese, and to use as much as the Japanese show would cost a lot of money, paperwork, and time. I asked him if this is why 4Kids composed the music for the first three movies themselves, and he said "Most likely. It's much less expensive and troublesome." He also said they must have come up with some agreement to use the same background music for movies 4 and on. But on the same token, he said the Americans could probably spend a little more money to secure more music.
I would really like to type out CHEAPSKATES in caps lock, but I won't, just in case someone says something mean to me or wants an argument ha. But, I suppose it's because it's a childrens anime. But what I don't get is, say they use RBY Wild Pokemon Battle in one episode, why would they not in the next episode? If they have bought it? Why would they replace it? Or do they buy tracks that was used in each episode, so they bought RBY Wild Pokemon Battle for one episode, but not the other?
Anyway, it's an interesting interview