Alter Ego
that evil mod from hell
- 5,750
- Posts
- 19
- Years
- Age 37
- Touhou land, grazing danmaku all the way
- Seen Aug 8, 2010
Not to be a prick but (There's always a but, isn't there? ;) ), talking down to someone is equivalent with treating that someone like an idiot (I.e. Going by the assumption that they wouldn't get it if you didn't use the simplest words possible), and you can't really have disbalance between two identical things.
Also, the habit of spoon-feeding the plot is something that I've always found annoying, thus why I personally prefer the authors who don't do it at all or at least don't make it excessively plain. Having everything spelled out to me real nice and simple utterly spoils the fun of discovering things on my own, thus why I dislike it and try to avoid it myself. A book that doesn't challenge your imagination or attentiveness at all is quite a dull one in my opinion. Besides, reading more complicated stories certainly helps you develop appreciation for the more subtle details of a story which eventually makes way for understanding those details. If you're spoon-fed all your life, how can you expect to learn how to eat on your own?
As for the 'story will get better' thing, that's just redundant. If you know that your story is going to improve later on then prove it; don't say it. Also, I agree with Frostweaver on the point that a sticky beginning is simply one in need of improvement. There are ways to make even a rather uneventful beginning interesting.
This is not to say that I think Author's Notes in general are a bad thing, though, and I agree that getting to know a bit of the author and the background of the fic is fun. It's just the empty promises that I'd prefer not to see. .___.
I'm also agreeing with Orange Flaaffy on the overly complicated language. The key is to pick the words with the most appropriate connotations and collocations for what you're trying to convey. *Shot for lit. analysis jargon* A cluster of poorly chosen complex words just gives off the impression that you're trying to look smarter than you are (Although that could be appropriate with certain narrators xD), which can be as awful as a chapter full of 'said's. Here we do have a balance situation.
Also, the habit of spoon-feeding the plot is something that I've always found annoying, thus why I personally prefer the authors who don't do it at all or at least don't make it excessively plain. Having everything spelled out to me real nice and simple utterly spoils the fun of discovering things on my own, thus why I dislike it and try to avoid it myself. A book that doesn't challenge your imagination or attentiveness at all is quite a dull one in my opinion. Besides, reading more complicated stories certainly helps you develop appreciation for the more subtle details of a story which eventually makes way for understanding those details. If you're spoon-fed all your life, how can you expect to learn how to eat on your own?
As for the 'story will get better' thing, that's just redundant. If you know that your story is going to improve later on then prove it; don't say it. Also, I agree with Frostweaver on the point that a sticky beginning is simply one in need of improvement. There are ways to make even a rather uneventful beginning interesting.
This is not to say that I think Author's Notes in general are a bad thing, though, and I agree that getting to know a bit of the author and the background of the fic is fun. It's just the empty promises that I'd prefer not to see. .___.
I'm also agreeing with Orange Flaaffy on the overly complicated language. The key is to pick the words with the most appropriate connotations and collocations for what you're trying to convey. *Shot for lit. analysis jargon* A cluster of poorly chosen complex words just gives off the impression that you're trying to look smarter than you are (Although that could be appropriate with certain narrators xD), which can be as awful as a chapter full of 'said's. Here we do have a balance situation.